Catimbau House / AzulPitanga

Located in the municipality of Buíque, in the interior of Pernambuco, Casa Catimbau is situated within the Catimbau National Park, the second largest archaeological conservation unit in Brazil, and one of the most representative areas of the caatinga.

Non-Commercial Cultural Hub / IPA Filip Kozarski

Grid Arthub is located in Hall 31B, a late 19th-century industrial building in the Gdańsk Shipyard, a site historically associated with both shipbuilding and the Solidarity movement. The project began with an intention to preserve the hall's layered identity while introducing a flexible contemporary program that could support the growing creative sector in Gdańsk. The inspiration came from the building's long and changing history. Over time, it served as a wood-drying plant, mess hall, boxing gym, and office space. Rather than erasing these traces, the design sought to work with them, maintaining a sense of continuity while opening the interior to new uses.

The Wine House / NORM Architects

Set within the gentle contours of the Swedish landscape, the transformation of Vinhuset marks the next chapter in our ongoing collaboration with Ästad Vingård – an estate where nature, craft, and hospitality intertwine. Following the creation of Restaurant ÄNG and the lakeside retreat of Sjöparken, this new project extends the dialogue between architecture and terrain, deepening the sensorial experience that has come to define the vineyard's growing constellation of spaces and functions.

How Asia Built Schools in 2025: 5 Site-Sourced Rural Projects

In the mountainous regions of Vietnam, the borderlands of Thailand, and the rugged Western Ghats of India, building school projects remains a challenge defined by logistics. In areas where infrastructure and industrial supply chains are limited or distant, transporting each kilogram of material can significantly increase costs and logistical complexity. During 2025, several school projects in rural contexts in Asia showed how the architect's role often shifted from a designer of form to a strategist of procurement. The primary challenge was not merely aesthetic but a matter of durability: using locally available materials and protecting them from monsoon rains, high-velocity winds, and sometimes seismic instability.

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