Siyadi Pearl Museum / Studio Anne Holtrop

For millennia, pearling and its associated trades shaped the economy and culture of Bahrain's island society. As a centre for pearling, Bahrain was the regional economic hub where pearl divers and other crew from across the Gulf arrived to test their fate on board the dhows. The outcome of the pearling season provided a livelihood for many local residents and their trades, amongst them: merchants, creditors, boat owners and makers, captains, divers, haulers, and sail-makers.

Canada Pavilion Explores Renewal at Expo Osaka 2025

The Canada Pavilion at Expo 2025 Osaka features interactive exhibits and installations that present the country's innovation, culture, and diversity. Designed under the creative direction of Robert Lepage, the pavilion offers an immersive experience aimed at introducing Canada's values and capabilities to a global audience. Additionally, it aims to showcase Canadian innovation, resources, investment, and education to the broader Indo-Pacific region. Centered around regeneration, the design is in line with the broader theme at the Expo: "Designing the Future Society for Our Lives."

On Juneteenth, Discover 8 Museums and Cultural Institutions Dedicated to African American History and Culture

Juneteenth, observed annually on June 19th, commemorates the emancipation of enslaved African Americans in the United States, marking a moment of liberation and reflection on a complex and often overlooked history. Originally celebrated in Texas, Juneteenth has grown to symbolize broader themes of freedom, resilience, and cultural identity, fostering conversations about justice and representation. This day also presents an opportunity to highlight the ways in which architecture can serve as a medium for preserving and presenting African American history and cultural values.

The Slot House / Katerina Valsamaki Architects

How do you inhabit beauty? The question, perhaps too general if not vague, at least is not unfair since it refers to the fact that often the anxiety caused to us by our concern to do "right" - for the owner, for the planning authorities, for the contractors – conceals the implied imperative form of the question, "How must we inhabit beauty?", the implication being that it is not enough to do merely the right but what befits the situation, what is "proper" with an ethical component. Even so, what is appropriate when we plan to inhabit beauty in the landscape? And here lies the dilemma: Nature, by its nature, is beautiful by birth. This is what the country house in Tinos is aimed at, the pleasure of habitation discreetly weaving itself into the sensitive Cycladic landscape.

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