Unit 20 / studio2AM

Unit 20, located in the heart of Mtatsminda, continues a series of projects that reconsider what it means to design for the contemporary rental market and, in this case, within historically charged contexts. Housed in a residential building of significant urban and cultural value—officially recognized as a heritage monument—the project engages in a careful dialogue between past and present.

Who Decides What Is Worth Preserving? Power and Heritage in Latin America

When we enter a museum, walk through a historic center, or review a country’s list of protected heritage sites, we rarely think about the process behind those choices. Who decided, on behalf of all of us, that certain objects, places, and architectures deserved to be preserved and disseminated, while others were discarded?

Exeter Road Pavilion / Neiheiser Argyros

The Exeter Road Pavilion is an adaptive reuse of a modest Victorian garden outbuilding in northwest London, redesigned for an art collector and amateur DJ who wanted a place equally suited to storing books, records, and artworks as to hosting garden gatherings, workouts, and the occasional ping-pong match. Our brief was twofold: create an interior cabinet for storage and an exterior canopy for shelter. From the outset, we saw these as a single architectural problem rather than two separate tasks.

Can Shading Become Energy? From Passive Facades to Productive Envelopes

As the primary interface between interior spaces and the external environment, facades play a central role in both the performance and architectural expression of buildings. Increasingly, they are no longer seen as static envelopes, but as active mediators between climate, energy, use, and aesthetic. In dense urban contexts, however, they are also gaining relevance for another reason: while roof surfaces are often limited, fragmented, or already occupied by technical equipment, vertical envelopes remain largely underutilized in terms of energy production.

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