Bosrijk Houses / Marcel Lok_Architect

Bosrijk is a residential area west of the city of Eindhoven, located on a former military defense site. Housing in Bosrijk is designed as 'sculptures in a garden'. For a small plot next to an existing natural rainwater infiltration facility, the office designed a sculpture with five single-family homes, in which the idea of 'living in a forest landscape' was the leitmotif.

Deep Tones and Natural Roots: 22 Shou Sugi Ban Homes Across the US and Canada

Shou Sugi Ban is a traditional Japanese technique for wood preservation that involves charring the surface of timber to create a protective layer. While its origins are rooted in practical durability, the method has been widely adapted into the modern built environment and shapes a unique and distinctive aesthetic. It is a material of contradiction: it remains bold in its visual language due to its dark tones, yet it simultaneously borrows from and complements its natural surroundings, allowing houses to settle quietly into their sites.

Art Basel Qatar - In the Assembly of Lovers / Counterspace

Sumayya Vally, Counterspace pays homage to lost gathering spaces across the Muslim world at the inaugural Art Basel Qatar. Architect Sumayya Vally, Counterspace presents In the Assembly of Lovers, an installation commissioned for the inaugural Art Basel Qatar, taking place in Doha from 3–7 February 2026. Curated by Egyptian artist Wael Shawky, the fair explores the theme 'Becoming' – a meditation on humanity's ongoing transformation and the evolving systems that shape how we live, believe, and create meaning.

Seeding the Future and Reframing Architectural Impact

What matters more: looking to the past or to the future? Recognizing established trajectories or fostering paths still under construction? Perhaps this is not a question with a single answer. Traditionally, architecture awards have operated as devices of consecration, recognizing completed works, established careers, and already tested solutions, most often through a retrospective lens. But what would happen if recognition ceased to be an end in itself and instead began to operate as a catalytic agent, investing less in what has already been done and more in what is still yet to unfold?

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