New York's Brooklyn Museum has announced the extension of its neoclassical building, a New York City–designated landmark, to include new galleries dedicated to its historic African art collection. The project to renovate and create permanent galleries was designed by the Brooklyn-based architectural firm Peterson Rich Office (PRO), with prior experience in contemporary exhibition spaces, in consultation with Beyer Blinder Belle Architects & Planners on the museum's historic preservation. The project transforms previously underutilized spaces that served as on-site storage, marking a new milestone in a series of renovations of an institution with over 200 years of history. For the first time, the museum's Egyptian art galleries will connect to the new African galleries, uniting North Africa with the rest of the continent to offer visitors a cohesive vision of Africa's rich artistic legacy.

At the edge of most cities, beyond the ring roads and interchanges, a different kind of architecture is taking shape. It is not designed to be seen, visited, or remembered. It does not gather people; it moves things. Inside, thousands of parcels travel continuously, being sorted, lifted, scanned, and dispatched with minimal interruption. These buildings rarely enter architectural discourse, yet they are among the most consequential spaces of our time. The defining typology of the 21st century is increasingly the warehouse.

Kamioka, in Hida City, Gifu Prefecture, is a town shaped by layered histories. Once flourishing with the Kamioka Mine—formerly one of the largest in the East—it has since faced depopulation, aging, and a shortage of successors, conditions now shared by many regional towns in Japan. The client is a company that has long supported everyday life in this area through forest maintenance, hazardous tree removal, specialized logging, snow clearing, civil engineering, landscaping, pest control, and even local festivals. As the organization expanded and a generational transition began, questions about the future of both the company and the region became increasingly urgent.

LLDS has re-conceptualised the Victorian terrace typology in response to the existing urban context to create a compact inner-city house in Melbourne, Australia. Sited on a narrow plot orientated east-west, 22m long and 4.6m wide, the main design move was to elevate the ground to form a roof garden to address the lack of garden spaces. The brown roof supports local ecology in an urban context. Below the free-form timber structure is a hall-like room with a kitchen, dining room, and entrance veranda reminiscent of the neighbourhood's large factory lofts and Victorian church halls. The highly textured concrete internal wall provides thermal mass and improves the dining room's acoustics by reducing the flutter echo effect caused by the parallel boundary walls.