The project is set on a former military site offering an exceptionally open landscape, where the urban fabric appears to have been erased. The absence of contiguous built context allows for complete freedom in siting and architectural expression. However, the plot allocated to the project is relatively constrained in comparison to the program. Rationality, therefore, guided both the implantation and the overall organization of the building.

"Gender equity remains an ongoing problem in architecture. Women architects are roughly one-third of the profession or less worldwide." This is the opening statement of the documentary Transnational Narratives: A Documentary Celebrating South Asian Women in Architecture, a result of the 4th Lilly Reich Grant for Equality in Architecture. The grant, an initiative by the Fundació Mies van der Rohe, promotes equal access to opportunities in architectural practice and supports the study and dissemination of contributions to architecture that have been unfairly rendered invisible. Within this context, the documentary, created by Dr. Igea Troiani, Dr. Mamuna Iqbal, artist and researcher Paula Roush, and filmmaker Rime Tsujino, brings visibility to the experiences of six architects of South Asian origin: Sumita Singha, Chitra Vishwanath, Sara Khan, Fauzia Qureshi, Sajida Vandal, and Neelum Naz, whose professional careers span India, Pakistan, and the United Kingdom.

Death is a certainty, but its architecture has never been stable. Every period and culture has invented a different way of placing the dead in the world (close or far, visible or screened, monumental or almost anonymous), and those choices have always carried social and political weight. Cemeteries are where that weight becomes legible in space, turning belief and regulation into boundaries, paths, and names.

Located in the rapidly densifying area south of Sydney's new international airport, the design of a new sports pavilion references the nearby remains of ancient clay ovens, traditionally used by local Indigenous people. Sam Crawford, director of SCA, said: "Willowdale Sports Precinct is located at the juncture of an ancient landscape (with archaeological evidence suggesting inhabitation for the past 10,000 years or more) and a burgeoning new suburb in the changing southwest Sydney region." "Our design for the sports pavilion is inspired by archaeological finds in the nationally significant Indigenous sites nearby. It's a unique place within the Sydney region because it contains evidence for ground ovens lined with baked clay balls (like heat beads) that were manufactured, traded, and used for cooking by the local Dharawal and Darug peoples."