25 Columns / OFFICE Kersten Geers David Van Severen

Two horizontal slabs are held up by a grid of 25 columns, leaving the natural terrain below the house free. That is the simple scheme of this holiday house, which sits on a wooded slope overlooking a Swedish lake. The house is approached from the road above, making the roof a prominent fifth facade. Clad in aluminium sheets, the roof softly reflects the surroundings, allowing the house to dissolve into the landscape.

ORGA Completes Carbon-Negative Biobased Housing Prototype in Marknesse, Netherlands

Netherlands-based, nature-inspired architecture practice ORGA has completed the design of a carbon-negative neighborhood in Marknesse, a village in the Dutch province of Flevoland. The project comprises 12 affordable rental homes built with a high percentage of biobased materials. Its main objective is to develop scalable housing solutions that minimize CO₂ emissions and reduce reliance on fossil resources. The design reinterprets the traditional Dutch brick house, known as the "Delft Red" typology, characterized by red brick facades and orange-red roof tiles, while introducing wooden chimneys that double as habitats for bats. Commissioned by housing association Mercatus, the prototype was built in the first half of 2025 and is intended for first-time buyers and low-income households.

Tropical Modernism Beyond Aesthetics: The Politics of Shade and Air

The image is familiar, a façade layered with brise-soleil, light softened into a patterned shadow, interiors kept cool without machines. It appears as intelligence made visible, architecture that understands the sun. This image is rarely examined closely. The same devices that temper heat also organize access, distribute comfort, and depend on particular forms of labor. What looks like a climatic response is also a decision about who gets relief from heat, and how. Tropical modernism, often reduced to a visual language of shade and porosity, emerges instead as a set of situated practices where climate, labor, and power are negotiated differently across contexts.

Macmasters / Jorge Hrdina Architects

Built on a sand dune 50 meters from the crashing waves, the house was conceived as a pier, not only an ideal bridge between sea and land. A rash move, perhaps, in a location like this, prone to severe erosion, but also a declaration of love for the surrounding environment and a pact of trust in the wisdom of nature. As underground piers in the sand extend about 15 meters below ground, inspiration was taken from the structure of piers for the architecture.

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