Set atop a steep ridge in La Vega de Pupuya, Chile, this house embraces the landscape through a bridge-like form that floats above the terrain. A wooden rib system and exterior walkway connect each space independently, while wooden shutters regulate light and privacy. Built on a steel frame, the structure minimizes its impact and maximizes views. Designed for a simple yet immersive lifestyle, the project celebrates the dialogue between architecture and nature without imposing on the surrounding environment.

This 112㎡-house is designed for six people across three generations living together. The site is located at the end of a cul-de-sac, surrounded by detached houses in a densely built residential area by the sea with a bright atmosphere. The project involves rebuilding the original home—previously occupied by the grandparents—into a new residence for the entire family: three members from the younger generation and three from the older. The younger couple runs a hair salon near their home, and their child spends much of their time with the grandparents. The older generation splits their time between working at home and going into the city. The six family members lead diverse lifestyles and have varied relationships with one another.

A senior living community reflects the dynamics of a microcity. It is crucial to understand the additional yearnings of senior citizens, apart from their fundamental needs pertaining to medical and nursing assistance and various lifestyle needs that can ensure their overall well-being. The "Taikang Community Yan Garden” strives towards facilitating a living space for the elderly to confront their core desires and inspiring them to envision the days ahead with more freedom, openness, and vitality.

In The Interpretation of Dreams, a book that offers insights into the relationship between dreams and the subconscious, Austrian psychologist Sigmund Freud discussed the concepts of "manifest dreams" and "latent dreams." Assuming the dreams we remember after we wake up are manifest dreams, the subconscious that acts as those dreams' original forms — or, in other words, our inner worlds — are latent dreams. Our true objects of desire always remain latent rather than being manifested. The space devoted to Insoil, a ceramics brand, passes through the domain of the latent. It visualizes invisible consciousnesses, such as the brand identity Insoil pursues or the desires of the two artists for a good life. "The trivial yet not insignificant," "The delicate yet firm," "The orderly yet not overly artificial," "The dim yet luminous,""The mundane yet unfamiliar."