Tintagel Castle Footbridge / Ney & Partners + William Matthews Associates

Spanning a 190-foot gorge and with a gasp-inducing gap in the middle, the bridge follows the line of the original route – a narrow strip of land, long lost to erosion – between the 13th-century gatehouse on the mainland and the courtyard on the jagged headland or island jutting into the sea. So significant was this historic crossing that it gave rise to the place’s name, the Cornish Din Tagell meaning “the Fortress of the Narrow Entrance”.

Grey House / Jesús Vassallo

Grey House is the renovation of an abandoned shepherd’s hut in the Pas Valley area of Cantabria into a house for a young family. In the original building, the ground floor was occupied by a team of ten milk cows, while the upper floor contained minimal dwelling facilities for the shepherd and a large space for the storage of hay.

IE University and All Things Urban Launch Series on “Cities and Jobs "

IE University, in collaboration with All Things Urban, would like to invite you to our "Cities and Jobs Series". A series of webinars are being hosted by the two organizations, for the launch of IE’s new Bachelor program in Urban Studies (for which applications are now open). The multidisciplinary program examines urban issues in a holistic way to prepare the future generation of urbanists to tackle the pressing challenges of our cities.

Heidi Horten Collection / the next ENTERprise Architects

The new museum for the prestigious collection assembled by Heidi Goëss-Horten, who passed away in June 2022, is situated in the late 19th-century Hanuschhof, which is centrally located between the Vienna State Opera, the Albertina, and the Burggarten. Realized in line with the design by the well-known Viennese architectural office the next ENTERprise Architects, the museum opens itself up to visitors as a delicately balanced ensemble of old and new, with a landscaped museum forecourt and sculpture garden. The façade and the side wings of the former archducal chancellery were retained, while the central element was completely gutted so that its spatial potential could be exploited to create a museum for the 21st century. The result is a platform for art derived from the interplay between dimensions, perspectives, and spatial circulation.

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