Tatiana Bilbao Designs Installation for MECCA Commission X NGV Women in Design 2022

The inaugural MECCA x NGV Women in Design Commission opened on the 6th of October, 2022, unveiling a large-scale installation by Mexican architect Tatiana Bilbao, who explores the concept of clothing as a symbol of protection and the associated practices of domestic labor, gender, and community. The MECCA x NGV Women in Design Commission is an annual series that invites an international female designer or architect to create a significant new space for the NGV Collection. As the first and only initiative of its kind in Australia, the Commission will create a platform for the presentation of world-premiere topical works that amplify the contribution of women designers and architects.

Decomposing Structures With Larvae: An EPS Pavilion in South Korea

Expanded polystyrene (EPS) was discovered in 1839 in Berlin and became a widely used material in airplanes manufactured for World War II due to its extremely low density. It is this characteristic that makes it a suitable material for thermal and acoustic insulation, often specified in buildings, but also widely used in packaging. A rigid cellular plastic, it is the result of polymerizing styrene in water, whose end product are expandable beads that have a diameter of up to 3 millimeters. Unfortunately though, this material takes more than 500 years to decompose and, in the process, leaches harmful chemicals into the environment. Recycling is possible, but it is complex and costly. This means that most of the Styrofoam produced to date still remains on the planet, taking up valuable space in landfills, or worse, broken into tiny pieces and interfering with ocean life. "Decomposition Farm: Stairway" is a temporary installation that offers a possible solution to the environmental issues related to construction waste in the architectural field.

Cultivating “A Certain Warmth” Inside 550 Madison, One of Manhattan’s Quirkiest Towers

550 Madison Avenue (née the AT&T Building, more recently Sony Plaza) is among the more recognizable figures on New York’s skyline. Designed by architect-provocateur Philip Johnson, the 37-story skyscraper stands out thanks to its curious headgear: a classical pediment broken by a circular notch, inviting frequent comparisons to the top of a Chippendale grandfather clock. A singular, if largely inoffensive presence on today’s icon-heavy streetscape, the design was positively shocking on its debut in 1979, when Johnson himself appeared on the cover of Time holding a model of the project, then still four years from completion. The image heralded the arrival of something new in American architecture: the fading of the flat-crowned Modernist towers of the midcentury and the onset of the Postmodernist wave.

Lightrailstation The Hague / architectural studio ZJA

The Lightrailstation The Hague, in the Netherlands, is characterized by a slender roof of glass and steel above the platforms. A covered walkway in the form of an expressive steel canopy forms the connection between the lightrailstation and the main hall of The Hague Central station.

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