Choosing Low-Maintenance Materials: 20 Examples of Houses in Argentina

The process of materializing architectural ideas involves taking into account various construction and economic factors, among others, which in one way or another will have an impact on the quality of life of its future inhabitants or users. Achieving the highest thermal comfort in interior spaces and achieving the lowest possible environmental impact are just some of the objectives that architecture professionals set for themselves when designing and defining the materials that will accompany their projects.

6 Creative Material Options for a Kitchen Backsplash

The most important rule for a kitchen backsplash to stand by is right there in the name. An imperative part of kitchen design, backsplashes are there to guard walls and unreachable undercabinet space from problematic stains, splashes, and spills. They also, however, represent a useful creative outlet for kitchen designers and interior architects.

Architecture After Civilization: Design in the Post-Apocalypse

We’re all familiar with the plot of a movie that occurs in a city still standing in a post-apocalyptic era. The streets are empty, except for a few survivors who wander aimlessly, searching for signs of life. Buildings begin to crumble and rust away after years of neglect, public transportation sits idle, and overgrown weeds spring from the cracks in the unmanaged sidewalks and streets. The scene feels eerie because we can’t imagine letting our physical environment sit in decay. It seems impossible that our built environments where we live and work each day suddenly fall silent. It’s a city without a pulse.

Sunlight Shadows for Slow but Colorful Façade Movements with Pierre Brault

When transparent facade elements deliberately evolve from the course of the sun, we can explore a fascinating slow movement in stark contrast to the hectic urban street life on the ground. Especially the French designer Pierre Brault has responded to the accelerated rhythm of our society with facade installations that combine the principle of the sundial with colorful pop design. His three-dimensional works made of recycled colored plexiglass mesmerize through simple but dramatic movements of colored shadows. In the interview, Brault explains his inspiration, the experimental approach and his interest in working responsibly with material.

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